Much of the middle is a tedious slog, as you retread previous areas wringing little revelatory substance. Discarded notes and journal entries scattered throughout each area add color to events, but don't yield anything new you're exposed to enough heavy foreshadowing earlier on that everything is predictable. But Maiden of Black Water front loads most of its intrigue, blowing major plot twists within the first few chapters and destroying any sense of dramatic pacing. If you’re familiar with Japanese horror flicks, or have at least seen The Ring, then you know what to expect in terms of pacing this brand of cinema tends to reveal mysteries bit by bit through increasingly gross and shocking events. The two other playable characters-a miserable young man with equally miserable facial hair named Ren and a troubled teen named Miu-also get caught up in the mystery, with their own specific problems to resolve because of it. Also unsurprisingly, her altruism uncovers the area’s greatest ghost story. She decides to find people who have gone missing on Mt. You spend most of the game controlling Yuri, a young woman with the ability to see dead people and view their memories. The mountain hosts a number of dilapidated buildings, including a shrine that in ancient days was filled with pious maidens. Hikami, a neighboring landmark that has become a popular place for young women to commit suicide. The story takes place in a small rural Japanese town and on Mt. But a paper-thin narrative and clunky, frustrating controls drag the experience down. Fatal Frame: Maiden of Black Water has fun, survival horror moments and does an excellent job building its atmosphere. It’s such a shame, then, that its latest entry is so disappointing. It’s a weird mix, but one engaging enough to earn the franchise a cult following. Game plots center on horror stories steeped in Japanese myth and tradition, and the main mechanic features using an in-game camera to ward off ghosts.
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